Nicola Ginzel
Nicola Ginzel
Biography
Links
Selected Projects
How Do You Restructure Form? Phase I - supported by US Fulbright Scholar Grant @ Q21 Art Residency
SHOJI Sub Series: How Do You Restructure Form?
MASA Sub Series: How Do You Restructure Form?
SILBERBURG Sub Series: How Do You Restructure Form?
HAHNEMÜHLE Sub Series: How Do You Restructure Form?
KITAKATA Sub Series: How Do You Restructure Form?
Psyche and Commerce: The Realignment of the Nail–Tree Talisman supported by a US Fulbright Scholar Grant
Sonos Civitatem MMXX - PHASE IV - UNMUTE exhibition @ Austrian Cultural Forum NY
Sonos Civitatem MMXX - PHASE III - supported by Arts Council Malta
Sonos Civitatem MMXX - PHASE II - Video supported by ACFNY
Sonos Civitatem MMXX - PHASE I - organized by Undercurrent Gallery
Gold Handprint Project - 2003 - CLICK HERE
Ancestral Clearing: Soul Pieces @ BOXOProjects Art Residency
Ancestral Clearing: Rearranging the Bones, Rearranging the Flesh
Archive/ Selected Flatwork
Archive/ Selected Frottage
Archive/ Selected Transformed Objects
Contact
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Catalog Essays
Composite Fragment: Cardboard Sole
2018-2019
stitched box with thread, acrylic, insole, coffee on wall
photo by Dario Lasagni
DETAIL Composite Fragment: Cardboard Sole
2018-2019
stitched box with thread, acrylic, insole, coffee on wall
Composite Diptych
2011-2017
stitched packaging with thread, ink, canvas, plaster
(Chiclets and 100% Colombian Coffee packaging)
photo by Dario Lasagni
Composite Fragment
2017
stitched packaging with thread, ink, canvas, plaster
photo by Dario Lasagni
Composite Fragment: Sidewalk Rubber
2016-2017
Rubber, stitched cardboard box with thread, candle wax, ink
photo by Dario Lasagni
DETAIL Composite Fragment: Sidewalk Rubber
2016-2017
Rubber, stitched cardboard box with thread, candle wax, ink
photo by Dario Lasagni
Composite Fragment: SuppenWurfel with Cardboard
2006-2018
stitched box with wax thread, ink, cardboard sides
photo by Dario Lasagni
Composite No. 1: Trident Cherry - Right in the Middle
2012, 2014, 2017
Embroidered frottage on dictionary page, thread, ink, paper napkin, glue, wood
6.5” x 3.5”x 1”
photo by Dario Lasagni
DETAIL Trident Cherry - Right in the Middle
2012, 14, 17
Fluorescent Fragment: Blümchen Zweimal Umgerahmt (Translation: little flowers twice framed)
2014-2017
paper napkin with commercially printed flowers, embroidered by hand, ink, backed with BEVA archival adhesive, used wooden stretcher frame
16" x 16"
photo by Dario Lasagni
DETAIL Fluorescent Fragment: Blümchen Zweimal Umgerahmt (Translation: little flowers twice framed)
DEATIL Fluorescent Fragment: Blümchen Zweimal Umgerahmt (Translation: little flowers twice framed)
Nicola Ginzel: To Place
September 22 - January 2, 2018
The Gallery @ 1 GAP curated by Suzy Spence
photo by Dario Lasagni
Composite Series: Mast
2010-2017
Wrapper embroidered with thread by hand, backed with fabric, collaged with oil pastel, printing ink, dress parts, inside stretcher
9" x 12"
photo by Dario Lasagni
Composite No.3: 926-90 JT
2016-17
embroidered by hand with thread, paint can label, ink, collaged cloth, wood, backed with fabric
4.5” x 3” x 1”
photo by Dario Lasagni
Fluorescent Fragment: WienrHfZkr
2012-2015
broken box top, embroidered by hand, clothing fragment, ink
5.5" x 3.75" x .75"
Fluorescent Fragment: Upside-down and Unrolled
2014
coffee cup, thread
photo by Dario Lasagni
Nicola Ginzel: 'My Bed is Made of Atoms'
Installation View at Cathouse FUNeral, Brooklyn, NY
2015
photo by Dario Lasagni
Book Page: Iceland—Schedule
2011
graphite frottage (of schedule) on dictionary page embroidered by hand
photo by Dario Lasagni
Monochromatic Fragment No.9 — Schedule
2011
hand written schedule, embroidered with thread by hand
4.75" x 4.25" x .125"
Monochromatic Fragment No.9 — Schedule
2011
hand written schedule, embroidered with thread by hand
framed- 15.5” x 14.5” x 2"
photo by Dario Lasagni
Monochromatic Fragment No. 16: CastlSp
2012
paper wrapper embroidered by hand
Nicola Ginzel: LANGUAGE, SYMBOL, ARTIFACT Tennessee Valley Museum of Art, 2013
Photo by Robert Rausch
Nicola Ginzel: LANGUAGE, SYMBOL, ARTIFACT Tennessee Valley Museum of Art, 2013
photo by Robert Rausch
Installation of Blue Tulip Napkin LINE
oil- wanter-based pastel frottage on fabric remnant and paper napkin, ink, gold acrylic paint, thread
shelf size 8' x 1' x 4" — displayed similar to a scroll
Nicola Ginzel: LANGUAGE, SYMBOL, ARTIFACT Tennessee Valley Museum of Art, 2013
photo by Robert Rausch
Kellogg's Fruity Snacks LINE (first section)
2010-2012
graphite frottage on bathing suit remnant, pastel frottage on leather purse remnant, wrapper embroidered by hand, veneer remnant
Gold Fragment: BgDmBrdg
2008-2009
Wendy's Chicken Wrapper, 23 K Gold, embroidered with metallic thread by hand, oil paint
Gold Fragment: BgDmBrdg
2009
Wendy's Chicken Wrapper, 23 K Gold, embroidered with metallic thread by hand, oil paint
10.5" x 13" x .25"
Nicola Ginzel—Fragments
Heskin Contemporary, New York City
2011
Monochromatic Fragment No.3
2010
embroidered with thread by hand, wrapper
3.75" x 2.25" x .25"