Nicola Ginzel

Nicola Ginzel

  • Biography
  • Statement
  • Links
  • Selected Projects
    • How Do You Restructure Form? Phase I - supported by US Fulbright Scholar Grant @ Q21 Art Residency
    • SHOJI Sub Series: How Do You Restructure Form?
    • MASA Sub Series: How Do You Restructure Form?
    • SILBERBURG Sub Series: How Do You Restructure Form?
    • HAHNEMÜHLE + KITAKATA Sub Series: How Do You Restructure Form?
    • Psyche and Commerce: The Realignment of the Nail–Tree Talisman supported by a US Fulbright Scholar Grant
    • Sonos Civitatem MMXX - PHASE IV - UNMUTE exhibition @ Austrian Cultural Forum NY
    • Sonos Civitatem MMXX - PHASE III - supported by Arts Council Malta
    • Sonos Civitatem MMXX - PHASE II - Video supported by ACFNY
    • Sonos Civitatem MMXX - PHASE I - organized by Undercurrent Gallery
    • Gold Handprint Project - 2003 - CLICK HERE
    • Ancestral Clearing: Soul Pieces @ BOXOProjects Art Residency
    • Ancestral Clearing: Rearranging the Bones, Rearranging the Flesh
  • Archive/ Selected Flatwork
  • Archive/ Selected Frottage
  • Archive/ Selected Transformed Objects
  • Catalog Essays
  • Contact
  • Login
During the frottage process, paper was always placed horizontally along the building’s footprint. The upper half of the paper would receive the rubbed impression of exterior architectural details while its bottom half would receive the rubbed impression from the corresponding ground.
How Do You Restructure Form? No. 13, 2020
Red carbon paper frottage on Silberburg B. Handmade paper, acrylic, ink and gum arabic
38” x 25”

Photo Documentation by Leonhard Hilzensauer


CLICK HERE to read 'Nicola Ginzel: How Do You Restructure Form?' in Art Spiel


All images and writing copyright Nicola Ginzel, 2010-2025

An Icompendium Site